Travel and Verse

stories of travel, medical missions, and more

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Iceland: on hot springs

Travel Journal, 104

One sensation hit me unexpectedly when I stepped out of the airport in Keflavik, Iceland.

The smell.

And honestly it came as quite the shock that I still had a sense of smell after the nasal destruction that was Covid testing.

But there we stood, waiting for our rental car shuttle. I would say that I remembered my childhood home of Cody, Wyoming, but that’s not quite what I mean. When I caught the aroma of Iceland, I felt the feelings of being in Cody.

Not just any spot in Cody either; the smell transported me back to riding in a car on Southfork Rd. I would drive down the hill and turn right into Cody. But at the top of that hill, I would smell the same smell as I smelled here in Iceland. Directly below lay a small winding canyon. And in the bottom of that canyon lay the Shoshone River. And out of this river occasionally rose the steam of a hot springs.

I smelled the acidic hint of sulfur. I smelled it there in Cody as a young lad, but it never really phased me. All I knew was that it sometimes smelled like “rotten eggs.” Which, of course, is not entirely true. Sulfur from a hot spring will probably bot make you gag—actual rotten eggs on the other hand…

I smelled it there, and now I smelled it here. I was shocked at how prolific the scent was. It seemed to be everywhere; the gas stations, grocery store, bakery, and even our Airbnb. And juxtapose the cool, 50 degree slightly drizzly weather with the ever-present smell of a nearby hot spring, it made for quite the mystical atmosphere.

As I said, we stayed at an Airbnb. As the pleasant home owner showed us around the property, she made a motion to the sink faucet. In thick Icelandic accent (think Norway/Sweden/Germanic), she told us not to concern ourselves with the smell of the hot water. It smells like sulfur, she said. Of course, I thought everything had the smell of sulfur. But she continued and explained that the hot water comes from the, “mountain.”

“Mountain?” I asked. “Do you mean, like a hot spring?”

“Yes,” she agreed, “the hot water comes in pipes from the mountain.”

“Wait a minute,” tilting my head, “do you have a hot water heater?”

Blank look.

She repeated herself, “no, the hot water comes from the mountain.”

The house, indeed, had no hot water heater. A hot spring feeds a water plant at the foot of the nearby mountains. It is then piped in massive lines to the greater Reykjavik area, where it comes straight out of the tap near boiling. I turned the faucet on and waited for it to get as hot as it could. The steam billowed out of the tap!

One of the most iconic hot spring locations to visit in Iceland is The Blue Lagoon. What most people don’t realize is that The Blue Lagoon is not actually a naturally occurring hot spring lagoon area. Back in the late 70s, a geothermic power plant was founded in an ideal location near Keflavik and Reykjavik. Due to the high concentration of volcanoes in the area, geothermic energy accounts for nearly 90% of all building hot water and heat. The Svartsengi Power Station siphons hot water and steam from the bowels of the earth and produces clean energy for thousands of Icelanders. But the hot water runoff has to go someplace. What better thing to do with that already hot and highly mineralized water, than to create a spa where millions of tourists can bathe and spend their money? It might be your cup of tea, but I was looking for something a bit more, shall we say, natural?

But have no fear, Iceland literally sits on a pile of volcanoes. It takes little scouring to find a natural hot spring, or at least something less touristy. Just 40 minutes outside Reykjavik is the small town of Hveragerdi. The whole village lies in a field and valley of geothermic activity.

We drove our little car through the town and parked in a small dirt lot near a river. A trail would lead us to Reykjadalur hot spring; literally, smoke valley. And it wasn’t difficult to see how this place got its name. Steaming billows puffed from random spots in the fields and hills. A fireless grass fire roared all around us. The sign at the bottom of the hill declared the hike to the hot spring to be a 4 km trudge. But we were ready.

Though the hike was more than we bargained for, the scenery and end reward more than made up for it. Ethereal steam slowly sank upwards into the sky—a kind of slow-motion smoke show. Iceland has very little wildlife. Apart from a few birds, we saw very few creatures. This made our hike kind of haunting. No animals, steam rising all around us, and no other people around us made it feel a bit surreal.

The walking varied from very scenic, to barren like an Afghan desert. But soon, the trail slumped downhill and led us to a little valley where the steam got so thick it was palpable.  A small river flowed through that little valley. Further ahead we saw that two rivers came together to form the one. The first river originated from high on the hill, where the water is so hot you can hardly manage to sit in it. The second river is much cooler.

These rivers converge and the temperature would make Goldilocks jealous. This is one of those spots I search for when traveling.

A “local” spot.

The fine folks of Hveragerdi keep the area very nice and have, over the years, added a boardwalk along portions of the deepest points of the river.

We wore our bathing suits under our clothes to makes things easy. The 48-degree F weather made the experience perfect. The water hugged us. This natural hot spring river constantly provides fresh water all around you. I wore a beanie cap and thoroughly enjoyed the soke. This was a “must-do” for me. I don’t give many travel tips. But I will say this: if you have a “must-do” during a trip, do not hesitate. Do that “must-do.”

The stream rose around us as I thought about the sulfur. I never really expected this place to smell, and even, somewhat look like parts of Cody, Wyoming. The unexpected occurrences teach me unexpected things. The strong smells of the earth’s breath made me feel connected to this place, as I am connected to Wyoming.

The minerals and sulfur may have smelled strong. But to me, it smelled like my old Home on the Range.

anthony forrest

More on Iceland:

Iceland: on Covid testing and travel in a post-pandemic world

Iceland: on Covid testing and travel in a post-pandemic world

Travel Journal, 103

*Disclaimer: The info written below was accurate at the time of travel. Some requirements have changed since then. Also, please respect all international travel guidelines. The following is not a good example.

We stood in line at the Keflavik Airport in Iceland, getting tested for Covid-19.

My leg twitched.

Tears flowed down my cheek.

She pulled the spear of death out of my nostril after twisting it like a screw driver three times. I think part of my soul came out on that q-tip. I’ve been tested many times. Never before have I been so violated in my entire life.  

Such is the world we now live in.

I have not taken any time to write about the intricacies of travel in a post-pandemic world. Part of me wanted to avoid being another noisy voice in an already Covid-inundated world. Needless to say, nearly every aspect of travel has been changed in some way by the pandemic. From downright lockdowns and border closures, to the talk of “Covid Passports,” travel is slowly returning to what we consider “normal.”

My wife and I sat in the same boat as the rest of the world: we hadn’t traveled overseas in over a year, our longest stretch of US time in more than 7 years. So our return to international travel thrilled us.

And one of the first countries to reopen fully, without a 14-day quarantine, was Iceland. If we could only figure out the entry requirements.

The first step was easy. Each person traveling to Iceland had to either be 1) fully vaccinated and carrying an official vaccination card, or 2) carrying an official document stating that they had been diagnosed with Covid and recovered in the past 6 months.

Yes, this is frustrating. For as long as I can remember, the US passport had been the key to the world. And Americans are not used to restrictions and recommendations that involve our personal rights and personhood. We’re an independent and individualistic people. And there’s nothing wrong with that. But in an evolving global scene, it’s something for which we have to manage and adjust.  Eventually, countries will no longer require a vaccine card. This week alone, most of the EU reopened to US travelers with no restrictions or vaccination requirements.

We then had to pre-register to cross into Iceland. The registration makes it so that they can tie our entry to our entry Covid test (more on that in a minute).

However, prior to entry, each traveler has to register and pay for a Covid test (to be completed in Iceland) within 72 hours of returning back to the US. This was a US requirement. At the time writing, the United States still requires a negative test no more than 3 days prior to the coming back, whether you’re vaccinated or not. In Iceland, the test runs you a cool 60 of your American Federal Reserve notes.

But don’t be fooled. All of these requirements have changed and will change again. Travel requirements remain constantly fluid (think about that phrase a moment) and ever changing. Requirements changed up until a week before our departure.

We deplaned after a 7-hour flight from Minneapolis to the Keflavik Airport. The only oddity was that we never received any kind of customs form on the plane. We just figured that we’d be asked a thousand questions at customs when we landed. Passport control, border security, customs, nobody ever asked us where we were staying or even which city we’d be in.

But soon after that, each passenger was herded to a line and fed through a trailer, just outside the airport.

A man at the counter asked us a couple of questions about our visit as he went through our papers. He also instructed us to download an app called Rakning C-19. This app would not only give us our test results, but it would also track our whereabouts, inform us of potentially Covid-dense areas, and send our whereabouts to the government should we leave a required quarantine. They would also send our results to our email address. Needless to say, I did not download this app.

And now we get back to the part where the lady violates my face. 

It was different for each passenger, but for me, the lady testing me told me to put my hands at my side and not to move. She swabbed my throat first. Then she produced a corn-stalk-sized q-tip and crammed it four inches into the darkness of my cranial space. I’ve been tested many times. This was a different animal. I may not recover.

Icelandic government tells each tourist that they must wait for a negative result prior to leaving their respective hotels, or, in our case, an Airbnb. Each of the six of us traveling together had been vaccinated. And each of us had actually had Covid in the past six months. If there was a more immune group on the island, I would have been shocked.

The last thing we wanted to do was stay in our rooms.

So…we didn’t. We had heard it would take at least four hours (possibly up to 24 hours) to hear back from the government about our test results. So when we got to our Airbnb, we took a nap and cleaned up from a long day of travel. And when we had rested, out the door we went.

Later that night, after a crazy and great day of Icelandic fun, I checked my email.

Lo and behold, here’s what I had in my inbox:

        Hi Anthony,

Your Covid test came back inconclusive. Please contact me by responding to this e-mail. 

An inconclusive result always leads to isolation and the Instructions for persons under home-based isolation must be followed.

A sleep deprived and jet-lagged mind like mine immediately thought of the worst, “I’m going to be on a two-week quarantine at some Red Cross facility in Iceland.” There was no way I was positive for Covid. There had to be some mistake. I was vaccinated, already had Covid, and was symptom free. And there was no way I was flying to Iceland just to sit in an Airbnb for the entire trip. Especially since there was no way I had Covid. Our group got to talking and decided on one thing: the Icelandic Government does not have our location, and nobody downloaded the tracking app.

We threw caution to the wind and continued our trip.

Later, another email:

Anthony             

Please be in touch about your Covid test.

The plan was simple. By this time, we were already two days into a five-day trip. Which meant that we had to get another test the following morning for our return to the US. I’d hold off communication with the Icelandic Covid Police, get my test, and send them my negative results.

So we did that. The next day, we went to Reykjavik for our test. This time, a testing lady told me to stand against the wall and put my hands to my side. She was even worse than the first lady. Must have been her older, angrier aunt or something. We suffered again.

But the test results came back negative. Confident, I attached them to a reply email, and sent it on its way. I stuffed my phone in my pocket and forgot all about it.

But later that night, I had another email waiting for me:

Hello Anthony

I hope you are aware that you were not allowed to take the test at this Centre and you were lucky that you got away with it since you were inconclusive at the airport.

Wow, I was lucky that I got away with it. I had taken the test at the wrong location. My communication with this person was done. The last thing I needed in life was to unintentionally end up in an Icelandic prison. Our return trip went well and we had no trouble at the border. Although, when we got to the part where they check your Covid test information, I was a bit nervous, waiting for a SWAT team to spring out and haul me away. But nothing happened.

I don’t have Covid.

Iceland doesn’t hate me.

And their restrictions have probably since changed anyway.

But still, it felt like a narrow escape.

 

anthony forrest

 

**Edit: as of today, July 1, 2021, Iceland no longer requires Covid testing, quarantine, or face masks. The time to travel there is now.

Cassidy, the Kid, and Me

Travel Journal, 102

You’d think that I would not have much of a connection with Butch Cassidy and the Sundance Kid. You’d think that me and a couple of legendary outlaws share little to nothing in common. You’d think that stories of Wild West gangs marauding and pillaging the frontier, were nothing more than tall tales and romanticized legends cooked up by Hollywood movie makers and idealistic rememberings of years gone by.

And you would probably be right.

But my brain works wildly. And as much as I want to minimize the story I’m about to share, I simply cannot. To me, I share a connection through more than a century and a half with the two bawdy outlaws. They did the thieving, and I got the loot.

Once upon a time, in the Old West, when outlaws robbed banks and trains, Butch Cassidy and the Sundance Kid led the Hole-in-the-Wall Gang in a series of crimes throughout Wyoming and Idaho and a ton of other places. Their fast shooting and even faster getaways are the stuff of Hollywood fodder. The 1969 movie, starring Robert Redford and Paul Newman, tells the highly apocryphal tale of the romantic American West. And those that remember the movie will recall that they eventually flee the US and head south, to Argentina and, eventually, Bolivia.

I’ve always loved that movie. It has possibly one of the greatest endings of all cinematic time. Cassidy and the Kid lay hunkered down inside a small shack in a tiny Bolivian pueblo. The Bolivian army has pursued them constantly. Our boys are tired, injured, at their end. And they know it. They lead us on with talk of further escape to further lands. But we all know what’s coming. This is it. Ever the optimists, they help each other up, and tie their guns to their hands. They jokingly note that their archnemesis isn’t out there with the Bolivian army and say, “for a moment there, I thought we were in trouble.”

They burst out of the shack to their gun-fiery end. It’s a moment of clarity for them and for the viewer. They knew they’d be gunned down. We knew it too. But the romantic ideal of going down in a blaze of glory rules the day. Dying was the least of their worries. How were they going to do it? Now that’s what matters.

This has stuck with me over the years. And I thought a lot about those two outlaws almost 16 years ago when I lived in Bolivia. My time was spent in various small towns in the Vallegrande province. I traveled back and forth between the larger town of Vallegrande and the smaller village of Pucara, where I stayed with friends and out of trouble (most of the time).

This was my first major international trip, and my longest. My dad gave me his old oil-skin fedora hat and I wore it with pride. Along with my long-sleeved shirts with the first few buttons undone and my ratty jeans, I imagined myself to be the next generation of Indian Jones. (A far cry, believe me)

All of that to say, I was in it for the adventure. Or as Indy would say it, “fortune and glory, kid, fortune and glory.”

Now, at the top of the hill in Vallegrande stood a German restaurant. You heard me. Or, at least, a German man owned it. Of course, in my mind, I thought this meant that he had escaped from Nazi Germany or had a relative that had done so. There was always talk of Nazis fleeing to South America. What can I say? I have an imagination.

Somehow, I cannot remember how, but I had heard that this German man had come across some buried treasure. I had no details other than that.

I got up my nerve, kickstarted the ol’ Honda scooter, and drove up the hill with some money.

I wanted in.

This man spoke no English.

I spoke no German.

We both spoke some Spanish.

I introduced myself and asked him about his recent discovery. He sat me down with a glass bottle of cold Coke, and shuffled off into the other room.

Soon, he returned with a small bundled towel and laid it on the table in front of me. He knew of a man building a house in a village about three hours away. This is the village of Postrervalle—or, the “last valley.” The road ends there. It is the last establishment surrounded by mountains.

At the start of the build, this man set to digging and laying the foundation of the new adobe home. To his surprise, his tools struck a chest hidden in the earth. They uncovered it out of the dry Bolivian clay. Though I didn’t see this chest with my own eyes, the German man told me that it was roughly 18 inches long and locked with a heavy lock. You know, exactly like you’d imagine buried treasure. The man was overjoyed and sold the contents to his moderate fortune. The German man now came into possession of a handful of the contents.

At this time, he opened with towel and displayed 24 silver coins, each dating in the late 1800s- early 1900s. The bluish silver gleamed with the Bolivian seal on the back.

“Who would bury a chest of silver?” I asked, staring at the coins.

Turns out, robberies and “wild west” style crimes were not isolated to the US. Many times, criminals would rob a bank and bury the loot for recovery later. That is, unless they got gunned down first. My mind raced. The only wild west outlaws I knew of in Bolivia were the leaders of the Hole-in-the-Wall Gang, Butch Cassidy and the Sundance Kid. It took very little stretching to tie this lost, buried, and most obviously stolen treasure to those two infamous criminals. Clearly it was their doing. Cassidy and the Kid had robbed a Bolivian bank and stashed it all for later. But they had died before they could recover it. And now here I was: the boys robbed the bank, and I came to claim my share.

The German man and I made a deal and I walked out of there with 11 of the silver coins. Not a lot, but enough buried treasure to last me a lifetime. I fancied myself quite the adventurer. Cassidy, the Kid, and I had done it again.

The stolen money jingled in my colorful Bolivian bag as I slung it over my shoulders.

On went my oil-skin fedora.

And I rode off into the sunset on my little Honda scooter, the only surviving (honorary) member of the Hole-in-the-Wall Gang.

anthony forrest

Jazz Manifesto, part 2

Travel Journal, 101

Over 20 years has passed since that first jazz session at the small coffee shop in Cody, Wyoming.

My mind brought this memory out of long-term storage, wiping away the dust. And as I think of it, I’m caught by the little details: the way each player looked at each other for ques, the lights of the room, smells of coffee, a dessert from a restaurant that’s probably now out of business, and the tisk tisk tisk of Ronnie’s snare.

I’m also caught off guard by what eventually influenced my musical tastes. If you would have asked me 20 years ago which music I thought would be important to me, I’m sure I’d have said classic rock or something modern and popular.

But that first live gig sank its roots deep.

So now, here I am, flying to the birthplace of jazz, New Orleans. I feel like an Imam going to Mecca for the first time.

Where it all began.

It can be easily argued that Jazz is only distinctly American form of music. The Deep South was the home to more slaves than anywhere else in the US. South of the Mason-Dixon line, nearly 95% of all Black Americans suffered as slaves. But the Civil War ended and Lincoln declared all slaves freed. Former slaves, now full American citizens, began the slow move from the South, migrating from the pain. But many stayed. African culture and music flowed freely all over the South, especially New Orleans. Prior to the Louisiana Purchase, New Orleans was home to Spanish, French, and a plethora of refugees.

Over the years, colonial European music began to mix into a bouillabaisse of African culture and  European Umpapa beats, creating an original music style. African drum styles clashed with European horns. Instead of musical civil war, hot romance followed.

Jazz was born.

And now, here I sit—at a small club on Frenchmen Street. The lights hang low once again. The band on the stage is giving it their all. Their music belies the funky jazz of the seventies—like they’d been snatched by a bright purple-light-show-time-machine. They play with the passion of a band that may never play again. An end of the world show.

The young man behind the drum kit plays just as tight as our dearly passed Ronnie Bedford.  

An electric keyboardist dances as he plays, sweat dropping to the keys.

And after a powerful eyes-shut-solo, the saxophonist cracks open the spit valve and pours out the condensation—it splashes to the floor like the elixir of life.

Nobody can sit still. It’s an all-out brawl of instruments, fighting and dancing with each other.

“But I don’t really like jazz,” you may say.

And you may not.

Jazz, for me, analogizes life itself. Turn on the closest radio or your favorite stream. Most popular songs, country, rock, ect, speak a simple worldview and wrap it up in three-and-a-half minutes. Sure, they’re catchy and fun. But it’s simple; love songs simplify love, war songs simplify war, even Christian music simplifies Christianity, and country songs simplify everything.

But jazz hints at something deeper.

It’s rich and complex.

Often difficult to understand or catch.

Dissident and blue and wild.

Detailed and unresolved.

The worldview of jazz says, “Strap in and hold on. We’ve got something to say, and it ain’t simple.” The worldview of jazz is complex and nuanced and continuous.

Cultural critic and commentator, H.L Mencken once said that, “for every complex problem there is an answer that is clear, simple, and wrong.”

Few people desire complexity and nuance. Most want their songs to wrap up in three-and-a-half easy minutes. And most want their life to be clear and simple. Unfortunately, it won’t be. No matter what the radio says. And when it isn’t simple, we’re astounded and shocked. And why not? Every song we’ve heard has lied to us.

Jazz won’t lie to you. It’s far too honest.

The rewards of embracing complexity, grant the listener a powerful musical and life experience. Answers shall be found in the deep magic of random Thursday night jazz sessions and dripping saxophones.

So, we sit here, relishing in all the beauty of jazz in the heart of New Orleans, because jazz is life.

Life is jazz.

anthony forrest 

read part 1 here

Jazz Manifesto, part 1

Travel Journal, 100

The first live music I ever attended took place at a small coffee shop in Cody, Wyoming.

Well, technically speaking, every Sunday morning my entire family dressed up and went to church, where the best and brightest Baptist music flowed like non-alcoholic communion wine. But the first live music I heard, apart from the church auditorium, sprung from the finest coffee house (at the time) in northwestern Wyoming, The Cody Coffee Company.

I sat under a long-haired guitar teacher who wore Levi 501 jeans and Birkenstocks like they would never go out of the proverbial style. And frankly, they never have. My half-hour lessons with Jeff opened me to all sorts of variety, new and old. I played classic folk tunes, classic country, a little Creedence Clearwater Revival, and nearly every song John Denver put to cassette. National flatpicking champion and releaser of various albums, Jeff’s talents ran very deep.

So, one afternoon, he told me of a gig taking place on some Tuesday or Thursday, I can’t remember exactly. But I do recall thinking it odd to play music for a crowd on a random weekday. My hesitation grew when he mentioned the word jazz. All I knew of jazz was the tortured piping of high school jazz bands, playing what they’re told to play, marching where they’re told to march—mostly too loud, and mostly too terrible.

But everything Jeff played on his guitar acted as character reference. I wouldn’t miss this gig.

My mom and dad and I walked into the Cody Coffee Company and the place was packed.

What is this thing, jazz? I thought. Had I mixed up the files in my brain? This looked nothing like the only jazz I knew, that strained high school wind section barely keeping time to poppy and pathetic numbers. No, these people wanted to be here.

On a random Thursday night.

Apparently, magic happens on random Thursday nights. I’d frequented this particular coffee shop for years, but never seen the lights so low. Two and three-person tables dotted the floor, with barely room enough to move. And a three-piece band began setting up their kit, my teacher Jeff plugging his hollow-body electric guitar into an amp.

This could not be Wyoming anymore. No, this was a 1955 San Francisco basement club, laden with cigarette smoke and human discovery. A place for the Kerouacs and Parkers. The only detail missing was a beret-wearing beatnik in the corner, breathing slam poetry heavily into a microphone. But my 14-year-old-self had no context for all that. I look back now and can plug the round pegs into the round holes.

The lights dropped further. A local restaurant catered dessert. I had a latte and raspberry tort. I can still smell it.

Music started; and my preconceptions faded away.

Jeff sat on a chair and plucked away, while an unnamed bassist slapped an upright bass with the coolness of every guy who slaps away at any bass. And tucked behind them sat an elderly man tying it all together on a drum set. Ronnie Bedford formed a tight jazz career of his own over the years. (rest in peace, Ronnie) I know that now. But to me then, he was just an old guy who played the drums. He held what I thought resembled a whisk and frequently spread it over a snare drum, casting a perfect…

Ti SaSa Ti SaSa Ti SaSa Ti Ti SaSa Ti SaSa Ti SaSa Ti….and on and on and on, hypnotically.

The dissidence and discord resolved, but not always. Each player played the same, but different. Each had their turn for solos, but never asked for it. Each instrument was vital, but not necessary for each song. Jazz made sense, but it didn’t.

What is this thing called Jazz?

 

anthony forrest

 

part 2 next week

The Bakery IV

From the corner of my gaze, I catch the spurts of newest pine-growth

Tender, softer than most

Like a lump of rising dough

Knead-ful hands will make it soon grow

And forge this Spring life into a Summer’s feast

Of freshly baked goods

A display of leaves and bark and trees and dawn

All spread out on this table

In these bakery-woods and beyond

 

anthony forrest 

read the first stanza

second stanza

third stanza

Roary Stories: Tales of the Travelosaur, part 4

Travel Journal, 99

Abduckted

It’s not been all fun and games for Roary. One would think that the life of an international traveling dinosaur of mystery would be one of luxury and ease, but alas, no. Yes, Roary travels comfortably in the side pouch of my backpack with his little head poking through the top. And yes, he’s as snug as a dino in a rug. I would bet my passport on the security of Roary. During transit days, he travels safely and securely. However, problems tend to arise when he leaves the stable and secure confines of the bag. One of the main points of traveling with a toy dinosaur is to take hilarious, ironic, and perfectly timed photos. To do that, I remove him from the bag, carefully set up the pose, cock his little head to catch his “good side,” back away, and snap the pic. Sometimes, I simply hold him up by the tail and take the picture without my hand in the frame. All in all, Roary and I have a system. He poses; I take the pic; we go on our merry.

I have a horrible confession. Some may read this next paragraph and disown me forever. But it is how I feel.

I don’t like Texas.

There, I’ve said it. I hear it from friends and family fairly often how they love Texas. Everything is bigger in Texas. Texas is real America. Texas is the home of freedom. God bless Texas.

But I can’t stand it.

As far as you can see—dirt. Sure, some parts have wetland, farming, and hills. But how can that redeem the utter void that is the mass of Texas? I hitchhiked one time near Abilene and counted numerous bars, strip joints, and abandoned cars. If class and civilization live in Texas, let’s just say that it isn’t thriving in a place like Abilene. Sorry, Abilene, I’m sure you have a great personality.

But don’t hate me yet. The only reason I ever want to go to Texas, is the shining star of San Antonio.

Ah, San Antonio. You almost redeem your state.

And one of the best parts of San Antonio is the out-of-place River Walk. In the heart of the city lies a sweet cocktail mix of Amsterdam, Venice, and Spanish colonialism that creates a bright spot in this American Southwest. Here, the San Antonio River carves though the skyscrapers and streets. Pedestrian walkways line the river, shops and restaurants and parks lie scattered throughout the picturesque area. Willows and other colonial-looking trees swing low, almost touching the water. River taxis zip by, ferrying the hungry to cool drinks and the promise of tacos.

If you would tell me, “hey, I’m going to Texas,” I would probably wince. But if you said, “hey I’m going to San Antonio,” my ears would perk up like a deer listening for hunters.

I you have a chance, go to San Antonio.

We did.

And so did Roary.

Where there is water, there is ducks. I though it would be great to have a picture of Roary near a few ducks on the River.

As I lowered the little dinosaur to the water, an angry mallard hurled forth and snatched Roary from my grasp. He fell violently into the water as the foul fowl tried again, snapping at him. Not only did I almost fall in the water, but Roary was almost duck food. Fortunately, I was quick enough to snatch him back from the clutches of sure death.

It was harrowing, especially for Roary.

Nobody likes to be abduckted.

 

anthony forrest

 

Keep up with Roary’s Stories!

Part 1: Seattle Bus Ride

Part 2: How it began

Part 3: That’s Amazing!

The Bakery II

Underfoot, the leaves crunch and crack

—like the bread at my sister’s house

Flour on her blouse

Child at her feet

Counter all neat

With bakery things and Irish butter

But now, the timer!

She whisks away the sourdough

And lo

It crackles like the leaves

Of my trees

In these woods

 

anthony forrest

read the first stanza here

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