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Scotland: Ancient Ways

Travel Journal, 130

Cobble stones older than America line the narrow streets, all of which seem to lead up to the ancient castle perched on the tippy-topmost ridge. Darkish clouds hang down, drawn onto the stone structure. It makes no sound and wants nothing of passersby. For all intents and purposes, Edinburgh Castle keeps to itself. And so does the rest of buildings and churches and houses. Each building connects with another—all a grey stone or tan stone. Some parts, like the aptly named Old Town, are indeed quite old: Middle Ages. These places haven’t changed in nearly a thousand years. Others, like the ridiculously named New Town, are still 18th century structures. This boggles the American mind. The 18th century is the beginning of time for us. And if all of the bustle and people were to evaporate and disappear forever, one has the impression that Edinburgh would go on, just the same. And the castle would simply keep looking down, as if waiting for something. Cathedrals, chapels, and churches dot the city, breaking up any monotony. No matter where one walks, a steeple stands tall.

Rows and rows of dark and kind of damp stone buildings go on sprawling until they suddenly cease in fields where deer run. A city dropped onto a map of countryside, hills and mountains all around. Certainly, it is not supposed to be there. Someone should speak to the manager. There must be a mistake. It’s an unchanging town, trapped in its own history. And maybe that’s why people go there. Travelers and tourists look for that feeling of unchangeability, an ancient place. They go seeking the old ways. Or they go seeking answers to who they are. Especially in a place like Scotland. If you want to find out if your last name is Scottish and which clan you’re from, you’ve certainly come to the right place.

Most of the time, Edinburgh teems with people, tourists and residents alike. But all of the action happens later, and not at 10:30 a.m. on a Sunday. The streets of Edinburgh were as empty as they ever are as we walked down the lane, on our own search for the unchangeable and ancient. And I’m not talking about the castle (though he looks upon us). We walked toward The Church of St John the Evangelist. Very rarely do tourists darken the door of churches. In fact, the day before, I walked past another older cathedral and saw a tourist peek into an exceedingly ancient church structure. She half-smirked and said that she didn’t need to spend the 2£ on the tour. Nobody wants to go to church. And yet they’re all looking for something more, darker, deeper, ancient, and satisfying. But that’s why we walked the chilly Scottish lane toward the mystery of God. We seek the same beauty and ancient unchangeability.

We came to a sung eucharist service: a celebration of the Lord’s Supper accompanied by the choir of St John’s. The service commenced with the singing of Psalms and recitations by us churchgoers. We stood and sat and prayed and sang. An older gentleman in front of us told us about the history of the church (he’s been there 50 years). At length, we all stood and filed past the priest and rectors to receive the body and blood represented in a cracker and wine. Back to our seats. More choral music. More praying. A blessing was given as the service closed.

This all seems innocuous or even dull to so many people. “Church is boring. Christianity is dead. I’m not religious. Religion is just a crutch.” These statements usually come from a point of superiority. It usually feels like the person you’re talking to is trying to tell you that they have it all figured out. They don’t need my tired old God. And yet they line the streets to see the Crown Jewels of Mary Queen of Scots. Or they take selfies in front of the most beautiful structure in the city. News flash—that’s a church.

I don’t have it all figured out. On the contrary, my hurts and problems and questions sting just as much as the next guy’s. Prolific author and apologist G.K Chesterton had it right when he said that, “the riddles of God are more satisfying than the solutions of man.”

The ancient and unchangeable ways of God satiate that taste and desire for more. There’s a reason the most beautiful structures in this world point to heaven.

 

anthony forrest

Cassidy, the Kid, and Me

Travel Journal, 102

You’d think that I would not have much of a connection with Butch Cassidy and the Sundance Kid. You’d think that me and a couple of legendary outlaws share little to nothing in common. You’d think that stories of Wild West gangs marauding and pillaging the frontier, were nothing more than tall tales and romanticized legends cooked up by Hollywood movie makers and idealistic rememberings of years gone by.

And you would probably be right.

But my brain works wildly. And as much as I want to minimize the story I’m about to share, I simply cannot. To me, I share a connection through more than a century and a half with the two bawdy outlaws. They did the thieving, and I got the loot.

Once upon a time, in the Old West, when outlaws robbed banks and trains, Butch Cassidy and the Sundance Kid led the Hole-in-the-Wall Gang in a series of crimes throughout Wyoming and Idaho and a ton of other places. Their fast shooting and even faster getaways are the stuff of Hollywood fodder. The 1969 movie, starring Robert Redford and Paul Newman, tells the highly apocryphal tale of the romantic American West. And those that remember the movie will recall that they eventually flee the US and head south, to Argentina and, eventually, Bolivia.

I’ve always loved that movie. It has possibly one of the greatest endings of all cinematic time. Cassidy and the Kid lay hunkered down inside a small shack in a tiny Bolivian pueblo. The Bolivian army has pursued them constantly. Our boys are tired, injured, at their end. And they know it. They lead us on with talk of further escape to further lands. But we all know what’s coming. This is it. Ever the optimists, they help each other up, and tie their guns to their hands. They jokingly note that their archnemesis isn’t out there with the Bolivian army and say, “for a moment there, I thought we were in trouble.”

They burst out of the shack to their gun-fiery end. It’s a moment of clarity for them and for the viewer. They knew they’d be gunned down. We knew it too. But the romantic ideal of going down in a blaze of glory rules the day. Dying was the least of their worries. How were they going to do it? Now that’s what matters.

This has stuck with me over the years. And I thought a lot about those two outlaws almost 16 years ago when I lived in Bolivia. My time was spent in various small towns in the Vallegrande province. I traveled back and forth between the larger town of Vallegrande and the smaller village of Pucara, where I stayed with friends and out of trouble (most of the time).

This was my first major international trip, and my longest. My dad gave me his old oil-skin fedora hat and I wore it with pride. Along with my long-sleeved shirts with the first few buttons undone and my ratty jeans, I imagined myself to be the next generation of Indian Jones. (A far cry, believe me)

All of that to say, I was in it for the adventure. Or as Indy would say it, “fortune and glory, kid, fortune and glory.”

Now, at the top of the hill in Vallegrande stood a German restaurant. You heard me. Or, at least, a German man owned it. Of course, in my mind, I thought this meant that he had escaped from Nazi Germany or had a relative that had done so. There was always talk of Nazis fleeing to South America. What can I say? I have an imagination.

Somehow, I cannot remember how, but I had heard that this German man had come across some buried treasure. I had no details other than that.

I got up my nerve, kickstarted the ol’ Honda scooter, and drove up the hill with some money.

I wanted in.

This man spoke no English.

I spoke no German.

We both spoke some Spanish.

I introduced myself and asked him about his recent discovery. He sat me down with a glass bottle of cold Coke, and shuffled off into the other room.

Soon, he returned with a small bundled towel and laid it on the table in front of me. He knew of a man building a house in a village about three hours away. This is the village of Postrervalle—or, the “last valley.” The road ends there. It is the last establishment surrounded by mountains.

At the start of the build, this man set to digging and laying the foundation of the new adobe home. To his surprise, his tools struck a chest hidden in the earth. They uncovered it out of the dry Bolivian clay. Though I didn’t see this chest with my own eyes, the German man told me that it was roughly 18 inches long and locked with a heavy lock. You know, exactly like you’d imagine buried treasure. The man was overjoyed and sold the contents to his moderate fortune. The German man now came into possession of a handful of the contents.

At this time, he opened with towel and displayed 24 silver coins, each dating in the late 1800s- early 1900s. The bluish silver gleamed with the Bolivian seal on the back.

“Who would bury a chest of silver?” I asked, staring at the coins.

Turns out, robberies and “wild west” style crimes were not isolated to the US. Many times, criminals would rob a bank and bury the loot for recovery later. That is, unless they got gunned down first. My mind raced. The only wild west outlaws I knew of in Bolivia were the leaders of the Hole-in-the-Wall Gang, Butch Cassidy and the Sundance Kid. It took very little stretching to tie this lost, buried, and most obviously stolen treasure to those two infamous criminals. Clearly it was their doing. Cassidy and the Kid had robbed a Bolivian bank and stashed it all for later. But they had died before they could recover it. And now here I was: the boys robbed the bank, and I came to claim my share.

The German man and I made a deal and I walked out of there with 11 of the silver coins. Not a lot, but enough buried treasure to last me a lifetime. I fancied myself quite the adventurer. Cassidy, the Kid, and I had done it again.

The stolen money jingled in my colorful Bolivian bag as I slung it over my shoulders.

On went my oil-skin fedora.

And I rode off into the sunset on my little Honda scooter, the only surviving (honorary) member of the Hole-in-the-Wall Gang.

anthony forrest

Jazz Manifesto, part 2

Travel Journal, 101

Over 20 years has passed since that first jazz session at the small coffee shop in Cody, Wyoming.

My mind brought this memory out of long-term storage, wiping away the dust. And as I think of it, I’m caught by the little details: the way each player looked at each other for ques, the lights of the room, smells of coffee, a dessert from a restaurant that’s probably now out of business, and the tisk tisk tisk of Ronnie’s snare.

I’m also caught off guard by what eventually influenced my musical tastes. If you would have asked me 20 years ago which music I thought would be important to me, I’m sure I’d have said classic rock or something modern and popular.

But that first live gig sank its roots deep.

So now, here I am, flying to the birthplace of jazz, New Orleans. I feel like an Imam going to Mecca for the first time.

Where it all began.

It can be easily argued that Jazz is only distinctly American form of music. The Deep South was the home to more slaves than anywhere else in the US. South of the Mason-Dixon line, nearly 95% of all Black Americans suffered as slaves. But the Civil War ended and Lincoln declared all slaves freed. Former slaves, now full American citizens, began the slow move from the South, migrating from the pain. But many stayed. African culture and music flowed freely all over the South, especially New Orleans. Prior to the Louisiana Purchase, New Orleans was home to Spanish, French, and a plethora of refugees.

Over the years, colonial European music began to mix into a bouillabaisse of African culture and  European Umpapa beats, creating an original music style. African drum styles clashed with European horns. Instead of musical civil war, hot romance followed.

Jazz was born.

And now, here I sit—at a small club on Frenchmen Street. The lights hang low once again. The band on the stage is giving it their all. Their music belies the funky jazz of the seventies—like they’d been snatched by a bright purple-light-show-time-machine. They play with the passion of a band that may never play again. An end of the world show.

The young man behind the drum kit plays just as tight as our dearly passed Ronnie Bedford.  

An electric keyboardist dances as he plays, sweat dropping to the keys.

And after a powerful eyes-shut-solo, the saxophonist cracks open the spit valve and pours out the condensation—it splashes to the floor like the elixir of life.

Nobody can sit still. It’s an all-out brawl of instruments, fighting and dancing with each other.

“But I don’t really like jazz,” you may say.

And you may not.

Jazz, for me, analogizes life itself. Turn on the closest radio or your favorite stream. Most popular songs, country, rock, ect, speak a simple worldview and wrap it up in three-and-a-half minutes. Sure, they’re catchy and fun. But it’s simple; love songs simplify love, war songs simplify war, even Christian music simplifies Christianity, and country songs simplify everything.

But jazz hints at something deeper.

It’s rich and complex.

Often difficult to understand or catch.

Dissident and blue and wild.

Detailed and unresolved.

The worldview of jazz says, “Strap in and hold on. We’ve got something to say, and it ain’t simple.” The worldview of jazz is complex and nuanced and continuous.

Cultural critic and commentator, H.L Mencken once said that, “for every complex problem there is an answer that is clear, simple, and wrong.”

Few people desire complexity and nuance. Most want their songs to wrap up in three-and-a-half easy minutes. And most want their life to be clear and simple. Unfortunately, it won’t be. No matter what the radio says. And when it isn’t simple, we’re astounded and shocked. And why not? Every song we’ve heard has lied to us.

Jazz won’t lie to you. It’s far too honest.

The rewards of embracing complexity, grant the listener a powerful musical and life experience. Answers shall be found in the deep magic of random Thursday night jazz sessions and dripping saxophones.

So, we sit here, relishing in all the beauty of jazz in the heart of New Orleans, because jazz is life.

Life is jazz.

anthony forrest 

read part 1 here

Rebirth of a Memory

from hand fell the earthenware

emptied of memories and markers in thought

upon the rockface, cold and bare

a new remembrance was formed, bought

 

anthony forrest 

From Short Lines: a collection of brief poetry, part 5

Live and Trust

An ocean’s length from here to there
Fighting rages beyond repair.

Scores of children—hungry, dying
Getting better? I would be lying

And every day—a money scare
all in a broken world.

A thousand miles away our leaders fright
In evil do these men delight

Money and power, money and power
Getting worse by the hour

Our country improve?
No, try they might.

all in a broken world.

Work now scarce and money too
Struggle comes with each day new

The cost of breathing rising, rising
This depressing world we are despising

So with each day that comes
Do I color it blue,
all in a broken world?

Apart from it all, here I sit
Admiring the morning, God’s sacred gift

A timber’s branch quivers when lands a bird
Then my fluffy friend jumps, leaving the branch undisturbed.

Misty fog gathers dripping from pines
All of these things sooth my mind.

My Creator comforts, loves, and cares
And cries, “Be still, My love I share!”

Comforting peace beyond understanding
His Holy Spirit forever now granting.

A simple life of loving God,
and God loving us is all we must do, live and trust

all in a broken world.

anthony forrest

 

Field Notes, Peru

Epilogue: The Boat

Travel Journal, 56

On a sudden, the motor coughed, sputtered, and gave up the ghost. The rapid river was now in control. The small crew at the back of the boat fought with the motor to try and get it started, to no avail. Soon the boat lazily turned and turned until this motley little band of river rats were nearly perpendicular to the oncoming river currents. With the river so high due to the frequent rains this time of year, it can be difficult to see semi-submerged logs protruding from the surface.

But directly in our path lay just that. A dead tree, about 10 inches in diameter jutted out from the river surface, and straight ahead. We all saw it. Some of us climbed onto the edge of the boat, hoping to push away from the branch when it approached. Others continued to try and get the motor started.

Everybody grabbed onto something.

But it was far too late. The boat heaved and rocked onto the side closest to where the branch just hit us. A loud banging noise came from the metal vessel. Then, like a pendulum, the boat rocked back, overcorrecting and tossing the passengers to the other side. Thankfully, nobody fell into the water. The branch scraped along the bottom of the boat and disappeared behind us.

Troubleshooting began.

“That’s what we call a near miss.”

“I’ll say.”

Eye’s wide all around.

“We’ve got to tie this boat off if we can’t get the motor started.”

“Where? Nothing here but rocks.”

“Over there—see, the beach. Plenty of trees.”

The boat now turned freely in the fast-moving river.

Shoes off.

Rope in hand.

Into the river.

Another into the river. Both swam to the beach.

Success.

We avoided catastrophe narrowly. And it kind of sounds adventurous. If the river had flipped the boat, it would not have been its first victim. All of our medical supplies and gear would have been lost.

Some dream of adventure; find it, they may. But our goal was not to find adventure. Our goal was to bring care and love to a people in need along the Las Piedras river in Peru. God’s guiding hand protected us along the way.

anthony forrest

 

Related Tales:

Prologue to Field Notes, Peru: Return to South America

Part 1 of Field Notes, Peru: Medical Nomads

Part 2 of Field Notes, Peru: A Bird Who Brings Bad News and Good News

 

Peace

Photo courtesy of Epic Pathways: Saitama, Japan

Warmth that caresses my soul

when troubles come

then slowly go

a gentle breeze

through the leaves

that are my soul

My Father’s hand is in control.

How calm the hand,

my Father’s hand

and scars I see

on these palms

of Jesus, Saviour

I see He bled for me.

That same hand

so tender, caring

holds me lovingly

but firmly, quietly

in true peace that teaches skillfully

…and quietness I finally learn.

anthony forrest

Shepherd Song

In a field far away

Near the place where a king

Came to earth in the form of a child

The keepers of sheep

Awoke from their sleep

To the cry that salvation was nigh

 

Don’t be afraid, for look, I proclaim

Good news and joy have come down

So together we’ll sing

Praise to the King

And glory to God on high

 

What a marvelous day

When the anthem was raised

And the angels lit up the sky

In joyful release

The sang of a peace

And a Savior for you and I

 

Oh, Come!

Let us go to the place

And see the face

Of the One, the Gift, the Word

Who has lifted the lame

Brought life to the dead

Oh, come!

Haven’t you heard?

 

annthony forrest

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